Wednesday, October 6, 2010

Visions of Light

The video was interesting.  I never really looked into early cinematography.  I found it intriguing but a long video.  Some of my favorites that were mentioned were:


-Red Dust (1932)
-The Grapes of Wrath (1940)
-The Graduate (1967)
-Blue Velvet

I found the subject on Film Noir to be very cool.  It still amazing to me all the things I notice outside of just photography when it comes to other things like film or video.  Composition & lighting are always on my mind when I watch tv these days...LOL.

I also thought it was interesting they mentioned to put your shadows anywhere but their faces during a certain time frame.  It's interesting to see the changes that evolved.

Also the question, "What is the basic visual need to tell your story?" was a good thing to point out.  Always something that you need rolling around in your head, no doubt!

But my favorite was the quote......."Think about what will make your clients take away the IMAGES as well as the words!"  Ahhhhhhhhhh LOVE IT!

Monday, October 4, 2010

Art 21

I chose to watch the clips entitled Transformation & then Spirituality.

I really, really enjoyed Yinka Shonibare.  His views on race during the British time frame was quite interesting.  The clothing that was designed had truely amazing aspects and reminded me of Leah's dress that she made out of the pages of the bible.

I was wigged out by Cindy Sherman, LOL.  She had an infatuation with photographing herself and different clowns.  Wanting viewers to see her through the clowns or simply hiding herself within them.  She did use a green screen which I thought was cool.  I would like to play with that one day.....The body of works she did with the "hollywood" types was cool.  But she has something with portraying the "old".  It's her thing but was intriguing.  She was influenced by tv & cheap magazines she said and not art history.  So this goes to show you that you don't just have to produce bodies of work that you have studied but can be reality for you as the artist.

Paul McCarthy was the third artist featured in the Transformation clip.  He was mainly involved in early video and it peaked my curiosity to see that he incorporated comedy with his art.  The most facsinating thing, about him, to me was his earlier work where he would use whatever was available in a room to video.  A means to really show you can work with "whatever".

Spirituality

The artists covered in this clip were:
Shahzia Sikander
James Turrel
Ann Hamilton
John Feodorov

I absolutley LOVED Ann Hamilton.  She was into it all....sewing, light thru threads, making still life, pinhole & more.  She made a pinhole to fit in her mouth that was AWESOME!  The curves of your mouth are the same as the shape of your eye so when she took these shots it made the subjects look like the pupils, INGENIOUS I say!

The rest of them I really wasn't struck by.  Sikander was the painter and she was into alot of that muslim stuff and while yes it was gorgeous and she was fabulous at it, it didn't do anything for myself.

John Feodorov was the dude that was from Navajo decent and into creating sculputres that represented totem poles and spiritual alters with animals. Blah....

James Turrell was all about light.  I liked his stuff but it was intense... He built a meeting place for Quakers, was into creating tunnels through a Roden Crater in AZ.  The one thing he said I thought was a good quote was that he was looking to bring the cosmos to the space "we" occupy.  Interesting.....

So there it is.....my commentary!

Monday, September 20, 2010

Third Floor Photo Summer Show


DON'T FORGET!!!!!!!

If you live in Dallas or visit often....please make plans to come to the Photography Exhibit at the Bows and Arrows Gallery on September 25th.

Third Floor Photo Summer Show at Bows and Arrows Gallery
1925 Greenville Ave.
Dallas, TX 75206
(214) 828-2697
Time: 5:00PM Saturday, September 25th


http://bowsandarrowsdeluxe.com/

October @ the DMA

Art In October celebrates the Dallas Arts District, as they launch a new season of performances, exhibitions, programs and events.

Throughout the month of October, the DMA will spotlight the organizations of the Dallas Arts District with a variety of events, including street performances, art activities and a few surprises along the way.

http://www.thedallasartsdistrict.org/artinoctober/art-in-october.htm

Then this on being a photographer for the United States Department of Labor

Lots of information but I guess stumbling on it was informational!


Photographers
  • Nature of the Work
  • Training, Other Qualifications, and Advancement
  • Employment
  • Job Outlook
  • Projections
  • Earnings
  • Wages
  • Related Occupations
  • Sources of Additional Information

Significant Points

  • Competition for jobs is expected to be keen because the work is attractive to many people.
  • Technical expertise, a “good eye,” and creativity, are essential, and some photographers need a college degree.
  • More than half of all photographers are self-employed, a much higher proportion than for most occupations.

Nature of the Work

Photographers produce and preserve images that paint a picture, tell a story, or record an event. To create commercial-quality photographs, photographers need technical expertise, creativity, and the appropriate professional equipment. Producing a successful picture requires choosing and presenting a subject to achieve a particular effect, and selecting the right cameras and other photographic enhancing tools. For example, photographers may enhance the subject's appearance with natural or artificial light, shoot the subject from an interesting angle, draw attention to a particular aspect of the subject by blurring the background, or use various lenses to produce desired levels of detail at various distances from the subject.

Today, most photographers use digital cameras instead of traditional silver-halide film cameras, although some photographers use both types, depending on their own preference and the nature of the assignment. Regardless of the camera they use, photographers also employ an array of other equipment—from lenses, filters, and tripods to flash attachments and specially constructed lighting equipment—to improve the quality of their work.

Digital cameras capture images electronically, allowing them to be edited on a computer. Images can be stored on portable memory devices such as compact disks, memory cards, and flash drives. Once the raw image has been transferred to a computer, photographers can use processing software to crop or modify the image and enhance it through color correction and other specialized effects. As soon as a photographer has finished editing the image, it can be sent anywhere in the world over the Internet.
Photographers also can create electronic portfolios of their work and display them on their own webpage, allowing them to reach prospective customers directly. Digital technology also allows the production of larger, more colorful, and more accurate prints or images for use in advertising, photographic art, and scientific research. Photographers who process their own digital images need to be proficient in the use of computers, high-quality printers, and editing software.

Photographers who use cameras with silver-halide film often send their film to laboratories for processing. Color film requires expensive equipment and exacting conditions for correct processing and printing. (See the statement on photographic process workers and processing machine operators elsewhere in the Handbook.) Other photographers, especially those using black and white film or creating special effects, develop and print their own photographs using their own fully equipped darkrooms,. Photographers who develop their own film must invest in additional developing and printing equipment and acquire the technical skills to operate it.

Some photographers specialize in areas such as portrait, commercial and industrial, scientific, news, or fine arts photography. Portrait photographers take pictures of individuals or groups of people and usually work in their own studios. Some specialize in weddings, religious ceremonies, or school photographs and they may work on location. Portrait photographers who own and operate their own business have many responsibilities in addition to taking pictures. They must arrange for advertising, schedule appointments, set and adjust equipment, purchase supplies, keep records, bill customers, pay bills, and—if they have employees—hire, train, and direct their workers. Many also process their own images, design albums, and mount and frame the finished photographs.

Commercial and industrial photographers take pictures of various subjects, such as buildings, models, merchandise, artifacts, and landscapes. These photographs are used in a variety of media, including books, reports, advertisements, and catalogs. Industrial photographers often take pictures of equipment, machinery, products, workers, and company officials. The pictures are used for various purposes—for example, analysis of engineering projects, publicity, or records of equipment development or deployment. This photography frequently is done on location.

Scientific photographers take images of a variety of subjects to record scientific or medical data or phenomena, using knowledge of scientific procedures. They typically possess additional knowledge in areas such as engineering, medicine, biology, or chemistry.

News photographers, also called photojournalists, photograph newsworthy people, places, and sporting, political, and community events for newspapers, journals, magazines, or television.
Fine arts photographers sell their photographs as fine artwork. In addition to technical proficiency, fine arts photographers need artistic talent and creativity.

Self-employed, or freelance, photographers usually specialize in one of the above fields. In addition to carrying out assignments under direct contract with clients, they may license the use of their photographs through stock-photo agencies or market their work directly to the public. Stock-photo agencies sell magazines and other customers the right to use photographs, and pay the photographer a commission. These agencies require an application from the photographer and a sizable portfolio of pictures. Once accepted, photographers usually are required to submit a large number of new photographs each year. Self-employed photographers must also have a thorough understanding of copyright laws in order to protect their work.
Most photographers spend only a small portion of their work schedule actually taking photographs. Their most common activities are editing images on a computer—if they use a digital camera—and looking for new business—if they are self-employed.

Work environment. Working conditions for photographers vary considerably. Some photographers may work a 5-day, 40-hour week. News photographers, however, often work long, irregular hours and must be available to work on short notice. Many photographers work part time or on variable schedules.
Portrait photographers usually work in their own studios but also may travel to take photographs at the client's location, such as a school, a company office, or a private home. News and commercial photographers frequently travel locally, stay overnight on assignments, or travel to distant places for long periods.

Some photographers work in uncomfortable or even dangerous surroundings, especially news photographers covering accidents, natural disasters, civil unrest, or military conflicts. Many photographers must wait long hours in all kinds of weather for an event to take place and stand or walk for long periods while carrying heavy equipment. News photographers often work under strict deadlines.
Self-employment allows for greater autonomy, freedom of expression, and flexible scheduling. However, income can be uncertain and the continuous, time-consuming search for new clients can be stressful. Some self-employed photographers hire assistants who help seek out new business.

Portrait photographers take pictures of individuals or groups of people and often work out of their own studios.

Training, Other Qualifications, and Advancement

Employers usually seek applicants with a “good eye,” imagination, and creativity, as well as a good technical understanding of photography. Photojournalists or industrial or scientific photographers generally need a college degree. Freelance and portrait photographers need technical proficiency, gained through a degree, training program, or experience.

Education and training. Entry-level positions in photojournalism or in industrial or scientific photography generally require a college degree in photography or in a field related to the industry in which the photographer seeks employment. Entry-level freelance or portrait photographers need technical proficiency. Some complete a college degree or vocational training programs.

Photography courses are offered by many universities, community and junior colleges, vocational-technical institutes, and private trade and technical schools. Basic courses in photography cover equipment, processes, and techniques. Learning good business and marketing skills is important and some bachelor's degree programs offer courses focusing on them. Art schools offer useful training in photographic design and composition.

Photographers may start out as assistants to experienced photographers. Assistants acquire the technical knowledge needed to be a successful photographer and also learn other skills necessary to run a portrait or commercial photography business.

Individuals interested in a career in photography should try to develop contacts in the field by subscribing to photographic newsletters and magazines, joining camera clubs, and seeking summer or part-time employment in camera stores, newspapers, or photo studios.

Other qualifications. Photographers need good eyesight, artistic ability, and good hand-eye coordination. They should be patient, accurate, and detail-oriented and should be able to work well with others, as they frequently deal with clients, graphic designers, and advertising and publishing specialists. Photographers need to know how to use computer software programs and applications that allow them to prepare and edit images, and those who market directly to clients should know how to use the Internet to display their work.
Portrait photographers need the ability to help people relax in front of the camera. Commercial and fine arts photographers must be imaginative and original. News photographers must not only be good with a camera, but also understand the story behind an event so that their pictures match the story. They must be decisive in recognizing a potentially good photograph and act quickly to capture it.

Many photographers have websites which highlight an online portfolio that they use to attract work from magazines or advertising agencies. For freelance photographers, maintaining their website is essential.
Photographers who operate their own business, or freelance, need business skills as well as talent. These individuals must know how to prepare a business plan; submit bids; write contracts; keep financial records; market their work; hire models, if needed; get permission to shoot on locations that normally are not open to the public; obtain releases to use photographs of people; license and price photographs; and secure copyright protection for their work. To protect their rights and their work, self-employed photographers require basic knowledge of licensing and copyright laws, as well as knowledge of contracts and negotiation procedures.

Freelance photographers also should develop an individual style of photography to differentiate themselves from the competition.

Advancement. After several years of experience, magazine and news photographers may advance to photography or picture editor positions. Some photographers teach at technical schools, film schools, or universities.

Employment

Photographers held about 152,000 jobs in 2008. More than half were self-employed, a much higher proportion than for most occupations. Some self-employed photographers have contracts with advertising agencies, magazine publishers, or other businesses to do individual projects for a set fee, while others operate portrait studios or provide photographs to stock-photo agencies.
Most salaried photographers work in portrait or commercial photography studios; most of the others work for newspapers, magazines, and advertising agencies. Photographers work in all areas of the country, but most are employed in metropolitan areas.

Source from http://www.bls.gov/oco/ocos264.htm

Careers in Newspaper Photography

Thought this was an interesting post for anyone wanting to do photojournalism.  Kind of the "basics" of it...

  1. Newspaper photography, or "photojournalism," is the practice of taking photographs to accompany an article or story in a newspaper. Some photojournalists work directly for media companies, while others specialize in news photography on a freelance basis. Freelance photojournalists seek out newsworthy events on their own initiative and have a thorough understanding of licensing and copyright laws, while those hired on a contract basis need to meet strict deadlines and follow the guidelines set by the newspaper.
  2. Sports

  3. A professional photographer with a passion for sports will find an ideal career in sports photography. The photographer will need to keep up with current events in sports and attend as many major matches and games as he can. Often an editor will assign a sports photographer to an event, while in other cases the photographer will choose to attend the event and later present the photos to the newspaper.
  4. Local News

  5. Regional newspapers require photographers to cover local events, such as fairs, school ceremonies, community celebrations and arts performances. A local news photographer might also be asked to accompany reporters to interviews with regional business owners, celebrities and government officials, or to take relevant photos for articles about community disputes, company launch events, local interest and other regional happenings.
  6. Current Events

  7. Photojournalists specializing in current events travel at a moment's notice to wherever the news breaks. An editor for a national newspaper will assign a news photographer a current news item and ask her to take shots of specific people or activities.
  8. War

  9. The risks involved in war photography are massive, and it is arguably the most challenging career in photojournalism, but the rewards can be worth it for some professionals. A photographer can accelerate his career with a handful of well-timed and perfectly executed war shots. High-end national newspapers seek war photojournalists to bring to life the stories and articles war reporters deliver to the public.
  10. Celebrities

  11. Supermarket tabloid-style newspapers have a strong emphasis on sensationalizing celebrity news and gossip. Celebrity photographers, commonly referred to as "paparazzi," are known to follow celebrities and snap pictures of their daily lives. If lucky, the paparazzi might be able to catch a scandal in the making and sell the photos for large sums to the newspapers.

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Read more: Careers in Newspaper Photography | eHow.com http://www.ehow.com/list_6719976_careers-newspaper-photography.html#ixzz108cyjMDJ

Julian Lennon On His New Photography

The opening of Julian Lennon's “Timeless: The Photography of Julian Lennon" last night at New York's Morrison Hotel Gallery, was, as you might expect, jam-packed. Midway through the evening, Yoko Ono, Sean and Julian Lennon themselves emerged into the room for a tour, laughing together and pausing to look at intimate shots of U2.
My dad wasn't really a photographer, so it just allows me to breathe a little more. He used to take a couple Polaroid's, but it wasn't a potential career. This is my own thing.


Julian Lennon
Julian's mother Cynthia Lennon, Patti Boyd, George Harrison's first wife, and Sid Bernstein, 92, the promoter who first brought the Beatles to the U.S., also came to see the exhibit, Lennon's first. May Pang, Lennon's girlfriend during his eighteen-month “Lost Weekend" between 1973 to 1975, also attended—making it the first time she, Cynthia Lennon, Yoko Ono, Sean and Julian have all been in the same room together. The photos fell into two categories: landscapes, and portraits of celebrity friends like Kate Hudson and U2, shot as they recorded their next album. Lennon said he became serious about his hobby when he spent two weeks on the road with Sean Lennon as Sean toured Eastern Europe. “I surprised him on the road," Lennon says. “I literally turned up at a gig."

Lennon says U2 approached him earlier this summer looking for a studio to finish some tracks. He offered at his 14th century home in the South of France. “The Edge came to me and said 'Please take some pictures," Lennon recalls. Displayed were several intimate black-and-white shots of the band: a close-up of Bono's weathered-seeming face, a candid of Adam Clayton sitting alone on a white stairwell, and the Edge sitting in a booth on a plane, with a lyric sheet in front of him. “To a degree, it's a side of the boys that hasn't been seen before ... I just didn't want to get in the way," Lennon said. “The moment I thought there was any heavy air, I would clear out."

One of the most striking U2 shots is of Bono in the studio, sitting underneath a headshot of John Lennon in his early greaser days. “Initially, I called it a Lennon sandwich," Julian said. “Now I call it 'Someone to Look up to.' Bono was there, and I look up to him, and he looks up to dad." Lennon also shot the band onstage in Vienna in late August. “They're mates, so if they're on the road and I'm in the neighborhood, I'm there."

For music, Lennon played the instrumental version of his first full album since 1998's Photograph Smile. He told RS the album has been finished for three years, but he hasn't released yet because of frustrations with the music business. He does, however, expect to put it out this spring. “In some ways the photography will bring people back to the music," Lennon observed. “The process of doing [photo] work and getting it out to the public is a lot smoother than the road I've had with music."

Source from http://www.allaboutjazz.com/php/news.php?id=65740